{"id":789,"date":"2022-03-31T13:13:00","date_gmt":"2022-03-31T13:13:00","guid":{"rendered":"https:\/\/insta.bananierbleu.fr\/?p=789"},"modified":"2025-02-13T22:31:23","modified_gmt":"2025-02-13T21:31:23","slug":"un-pas-de-plus-vers-le-refus-de-lignorance-gaoule-mizik-1988","status":"publish","type":"post","link":"https:\/\/afrocaribbeanbeats.com\/en\/un-pas-de-plus-vers-le-refus-de-lignorance-gaoule-mizik-1988\/","title":{"rendered":"Un Pas de Plus Vers le Refus de l&rsquo;Ignorance &#8211; Gaoul\u00e9 Mizik, 1988"},"content":{"rendered":"<p>L\u2019iconique formation <strong>Gaoul\u00e9 Mizik<\/strong> fait partie de l\u2019histoire du Gwoka moderne en Guadeloupe, au m\u00eame titre que G\u00e9rard Lockel, la famille Geoffroy, Kannida, Gwakasonn\u00e9, Van-L\u00e9v\u00e9 et tant d\u2019autres. Emmen\u00e9 par Tosh Montella, le collectif publie deux albums, Konb\u00f2ch d\u2019abord, puis celui-ci, paru en 1988, au sous-titre on ne peut plus explicite, <strong>Un pas de plus vers le refus de l\u2019ignorance<\/strong>. Aux percussions \u2013 tambours et voix, on retrouve Marcel Laurent, Michel Belia, Leon Montella, Yves Esnard, Fred Laurent, Philippe Calodat, Patrick Salondy, Franck Anasthase, Harry Ursule, Berthile Ursule et Carlos Laurent. Les pistes alternent entre tradition pure et influences plus modernes \u2013 les claviers de Jacques Marie Basse sur Sonn\u00e9 L\u00e9kla Sonn\u00e9, et le lien est fait avec la Martinique sur le titre Fre Karayib gr\u00e2ce au Ti-bwa de Patrick Marignale. Christian Laviso y pose sa guitareka si caract\u00e9ristique et l\u2019ensemble fait \u00e9galement appel \u00e0 Aldo Middleton (claviers et percussions) et \u00e0 la flute a\u00e9rienne de Joanes Lubin. Un album de Gaoul\u00e9 Mizik devenu mythique et quasiment introuvable. Le titre Sonn\u00e9 L\u00e9kla Sonn\u00e9 vient r\u00e9cemment d\u2019\u00eatre inclus dans l\u2019excellente compilation <a href=\"https:\/\/afrocaribbeanbeats.com\/en\/lespri-ka-new-directions-in-gwoka-2022\/\">L\u00e9spri Ka<\/a> sortie chez Time Capsule et S\u00e9ance Centre et dont on parlera bient\u00f4t.<\/p>","protected":false},"excerpt":{"rendered":"<p>L\u2019iconique formation Gaoul\u00e9 Mizik fait partie de l\u2019histoire du Gwoka moderne en Guadeloupe, au m\u00eame titre que G\u00e9rard Lockel, la famille Geoffroy, Kannida, Gwakasonn\u00e9, Van-L\u00e9v\u00e9 et tant d\u2019autres. Emmen\u00e9 par Tosh Montella, le collectif publie deux albums, Konb\u00f2ch d\u2019abord, puis celui-ci, paru en 1988, au sous-titre on ne peut plus explicite, Un pas de plus [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":790,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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Bananier bleu","author_link":"https:\/\/afrocaribbeanbeats.com\/en\/author\/christophe971_dmw217xi\/"},"uagb_comment_info":0,"uagb_excerpt":"L\u2019iconique formation Gaoul\u00e9 Mizik fait partie de l\u2019histoire du Gwoka moderne en Guadeloupe, au m\u00eame titre que G\u00e9rard Lockel, la famille Geoffroy, Kannida, Gwakasonn\u00e9, Van-L\u00e9v\u00e9 et tant d\u2019autres. Emmen\u00e9 par Tosh Montella, le collectif publie deux albums, Konb\u00f2ch d\u2019abord, puis celui-ci, paru en 1988, au sous-titre on ne peut plus explicite, Un pas de plus&hellip;","_links":{"self":[{"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/posts\/789","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/comments?post=789"}],"version-history":[{"count":10,"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/posts\/789\/revisions"}],"predecessor-version":[{"id":7012,"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/posts\/789\/revisions\/7012"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/media\/790"}],"wp:attachment":[{"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/media?parent=789"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/categories?post=789"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/tags?post=789"},{"taxonomy":"annee","embeddable":true,"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/annee?post=789"},{"taxonomy":"pays","embeddable":true,"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/pays?post=789"},{"taxonomy":"musicien","embeddable":true,"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/musicien?post=789"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/genre?post=789"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}