Et on reste au Congo\u2026<\/p>\n\n\n\n
\ud83c\udde8\ud83c\udde9\ud83e\ude98\ud83c\udfb9\ud83e\udd41 Wendo Kolosoy<\/strong> fait partie des p\u00e8res fondateurs de la rumba congolaise. N\u00e9 en 1925, et devenu orphelin tr\u00e8s jeune, il se \u00ab\u00a0d\u00e9brouille\u00a0\u00bb \u00e0 Kinshasa tout en jouant de la musique. Il sera finalement rep\u00e9r\u00e9 et recueilli par les fondateurs du c\u00e9l\u00e8bre label Ngoma. Il y publie en 1948 son titre f\u00e9tiche, Marie Louise, qui le propulse sur le devant de la sc\u00e8ne. Cependant, refusant de m\u00ealer la musique \u00e0 la politique, il se mettra en retrait pendant les trente ann\u00e9es de l\u2019\u00e8re Mobutu. C\u2019est donc un petit miracle que de le retrouver en studio en 2002, pour ce Amba<\/strong>, avec son orchestre historique, le Victoria Bakolo Miziki<\/strong>, et qui alterne nouvelles compositions et reprises. Il s\u2019entoure de quelques vieux briscards de la rumba, qui font merveille, comme Mukubwele Bikunda ou encore le tr\u00e8s inventif guitariste Vula Missi. Mais Wendo Kolosoy appelle aussi la nouvelle g\u00e9n\u00e9ration, avec le bassiste Bouboul Shoming, d\u00e9j\u00e0 entendu aux c\u00f4t\u00e9s de Ray Lema, ou bien le directeur des Tambours de Brazza, Emile Biayenda. Le r\u00e9sultat est une heure de rumba voluptueuse, chaloup\u00e9e \u00e0 merveille. Kolosoy profite de l\u2019occasion pour renouer avec l\u2019un de ses vieux amis, Antoine Moundanda qui, de l\u2019autre c\u00f4t\u00e9 du fleuve, est aussi une r\u00e9f\u00e9rence de longue date de la musique congolaise, et en particulier du fameux piano \u00e0 pouces. Ainsi, accompagn\u00e9s de sa seule sanza, ils interpr\u00e8tent \u00e0 deux voix, une rumba acoustique \u00e9poustouflante. Wendo enregistrera encore quelques disques, avant de s\u2019\u00e9teindre en 2008.<\/p>","protected":false},"excerpt":{"rendered":" Et on reste au Congo\u2026 \ud83c\udde8\ud83c\udde9\ud83e\ude98\ud83c\udfb9\ud83e\udd41 Wendo Kolosoy fait partie des p\u00e8res fondateurs de la rumba congolaise. N\u00e9 en 1925, et devenu orphelin tr\u00e8s jeune, il se \u00ab\u00a0d\u00e9brouille\u00a0\u00bb \u00e0 Kinshasa tout en jouant de la musique. Il sera finalement rep\u00e9r\u00e9 et recueilli par les fondateurs du c\u00e9l\u00e8bre label Ngoma. Il y publie en 1948 son […]<\/p>\n","protected":false},"author":1,"featured_media":4860,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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Bananier bleu","author_link":"https:\/\/afrocaribbeanbeats.com\/en\/author\/christophe971_dmw217xi\/"},"uagb_comment_info":0,"uagb_excerpt":"Et on reste au Congo\u2026 \ud83c\udde8\ud83c\udde9\ud83e\ude98\ud83c\udfb9\ud83e\udd41 Wendo Kolosoy fait partie des p\u00e8res fondateurs de la rumba congolaise. N\u00e9 en 1925, et devenu orphelin tr\u00e8s jeune, il se \u00ab\u00a0d\u00e9brouille\u00a0\u00bb \u00e0 Kinshasa tout en jouant de la musique. Il sera finalement rep\u00e9r\u00e9 et recueilli par les fondateurs du c\u00e9l\u00e8bre label Ngoma. Il y publie en 1948 son…","_links":{"self":[{"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/posts\/4859","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/comments?post=4859"}],"version-history":[{"count":10,"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/posts\/4859\/revisions"}],"predecessor-version":[{"id":4875,"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/posts\/4859\/revisions\/4875"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/media\/4860"}],"wp:attachment":[{"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/media?parent=4859"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/categories?post=4859"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/tags?post=4859"},{"taxonomy":"annee","embeddable":true,"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/annee?post=4859"},{"taxonomy":"pays","embeddable":true,"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/pays?post=4859"},{"taxonomy":"musicien","embeddable":true,"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/musicien?post=4859"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/genre?post=4859"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}