{"id":220,"date":"2021-01-25T14:38:00","date_gmt":"2021-01-25T14:38:00","guid":{"rendered":"https:\/\/insta.bananierbleu.fr\/?p=220"},"modified":"2024-10-26T19:32:54","modified_gmt":"2024-10-26T17:32:54","slug":"ami-oyomiya-bebe-manga-1980","status":"publish","type":"post","link":"https:\/\/afrocaribbeanbeats.com\/en\/ami-oyomiya-bebe-manga-1980\/","title":{"rendered":"Ami – Oyomiya – B\u00e9b\u00e9 Manga, 1980"},"content":{"rendered":"

En 1980, B\u00e9b\u00e9 Manga<\/strong> devient internationalement connue avec sa reprise sous le nom de \u00ab\u00a0Amio\u00a0\u00bb d’un titre d’Ebanda Manfred, Amie, publi\u00e9 quasiment vingt ans plus t\u00f4t. L’album Ami-Oyomiya<\/strong> alterne makossa, ballades et afro-funk, mais c’est vraiment pour son tube que B\u00e9b\u00e9 Manga marquera les esprits jusqu’\u00e0 la fin de sa carri\u00e8re. Le titre sera lui-m\u00eame r\u00e9guli\u00e8rement repris par de nombreux artistes dont Manu Dibango, Papa Wemba ou Ang\u00e9lique Kidjo et m\u00eame le collectif Bisso Na Bisso.<\/p>","protected":false},"excerpt":{"rendered":"

En 1980, B\u00e9b\u00e9 Manga devient internationalement connue avec sa reprise sous le nom de \u00ab\u00a0Amio\u00a0\u00bb d’un titre d’Ebanda Manfred, Amie, publi\u00e9 quasiment vingt ans plus t\u00f4t. L’album Ami-Oyomiya alterne makossa, ballades et afro-funk, mais c’est vraiment pour son tube que B\u00e9b\u00e9 Manga marquera les esprits jusqu’\u00e0 la fin de sa carri\u00e8re. Le titre sera lui-m\u00eame […]<\/p>\n","protected":false},"author":1,"featured_media":221,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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Bananier bleu","author_link":"https:\/\/afrocaribbeanbeats.com\/en\/author\/christophe971_dmw217xi\/"},"uagb_comment_info":0,"uagb_excerpt":"En 1980, B\u00e9b\u00e9 Manga devient internationalement connue avec sa reprise sous le nom de \u00ab\u00a0Amio\u00a0\u00bb d’un titre d’Ebanda Manfred, Amie, publi\u00e9 quasiment vingt ans plus t\u00f4t. L’album Ami-Oyomiya alterne makossa, ballades et afro-funk, mais c’est vraiment pour son tube que B\u00e9b\u00e9 Manga marquera les esprits jusqu’\u00e0 la fin de sa carri\u00e8re. Le titre sera lui-m\u00eame…","_links":{"self":[{"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/posts\/220","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/comments?post=220"}],"version-history":[{"count":9,"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/posts\/220\/revisions"}],"predecessor-version":[{"id":5600,"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/posts\/220\/revisions\/5600"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/media\/221"}],"wp:attachment":[{"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/media?parent=220"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/categories?post=220"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/tags?post=220"},{"taxonomy":"annee","embeddable":true,"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/annee?post=220"},{"taxonomy":"pays","embeddable":true,"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/pays?post=220"},{"taxonomy":"musicien","embeddable":true,"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/musicien?post=220"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/afrocaribbeanbeats.com\/en\/wp-json\/wp\/v2\/genre?post=220"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}