{"id":1899,"date":"2022-01-09T08:36:00","date_gmt":"2022-01-09T08:36:00","guid":{"rendered":"https:\/\/insta.bananierbleu.fr\/?p=1899"},"modified":"2025-10-13T09:21:34","modified_gmt":"2025-10-13T07:21:34","slug":"kreolia-rodolphe-lauretta-2021","status":"publish","type":"post","link":"https:\/\/afrocaribbeanbeats.com\/en\/kreolia-rodolphe-lauretta-2021\/","title":{"rendered":"Kr\u00e9olia – Rodolphe Lauretta, 2021"},"content":{"rendered":"

Un peu de retard dans les chroniques\u2026 que j’essaie de rattraper. Voici donc Kr\u00e9olia<\/strong>, le dernier opus de Rodolphe Lauretta<\/strong> qui nous revient, quatre ans apr\u00e8s Raw. Le saxophoniste martiniquais c\u00e9l\u00e8bre un jazz fusion aux accents carib\u00e9ens, touchant au funk, \u00e0 l’\u00e9lectro, dans les traces de Roy Hargrove et son RH Factor. Quelques invit\u00e9s dont Roger Raspail ou J\u00ee Dr\u00fb, des voix rap (MED), soul (Dwight Trible) ou a\u00e9riennes (Ruppert Pupkin, Genevi\u00e8ve Atardi), et onze compositions originales, avant une reprise du titre Ha\u00efti d’Alain Jean-Marie, en guise d’hommage et de clin d’\u0153il.<\/p>","protected":false},"excerpt":{"rendered":"

Un peu de retard dans les chroniques\u2026 que j’essaie de rattraper. Voici donc Kr\u00e9olia, le dernier opus de Rodolphe Lauretta qui nous revient, quatre ans apr\u00e8s Raw. Le saxophoniste martiniquais c\u00e9l\u00e8bre un jazz fusion aux accents carib\u00e9ens, touchant au funk, \u00e0 l’\u00e9lectro, dans les traces de Roy Hargrove et son RH Factor. Quelques invit\u00e9s dont […]<\/p>\n","protected":false},"author":1,"featured_media":1900,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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Bananier bleu","author_link":"https:\/\/afrocaribbeanbeats.com\/en\/author\/christophe971_dmw217xi\/"},"uagb_comment_info":0,"uagb_excerpt":"Un peu de retard dans les chroniques\u2026 que j’essaie de rattraper. Voici donc Kr\u00e9olia, le dernier opus de Rodolphe Lauretta qui nous revient, quatre ans apr\u00e8s Raw. Le saxophoniste martiniquais c\u00e9l\u00e8bre un jazz fusion aux accents carib\u00e9ens, touchant au funk, \u00e0 l’\u00e9lectro, dans les traces de Roy Hargrove et son RH Factor. 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